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    Customer Service. In The Spotlight. Shop Our Brands. From ad to , the Chinese-assimilated proto-Turkish population of the Tuoba-Wei dominated the north. They played a fundamental role in the diffusion of Buddhist teachings. This was the era of the great cave temples. The oldest site. In ad, the Wei conquered Dunhuang, and many important works of art were produced under their patronage. With splendid frescos in bright colours portraying traditional Buddhist scenes, the depiction of landscape became increasingly important from about the sixth century onwards.

    A school of court painting developed alongside the collective tradition of itinerant artists. In the capital of the southern Jin, near present-day Nanjing, worked the artist Gu Kaizhi ad Two important paintings though not in their original form but in later copies are attributed to him: Advice of the Governess to the Court Ladies and The Nymph of the Lo River.

    In these balanced compositions, the elegant, softly outlined figures of women and dignitaries, coloured in ink on silk, are still more prominent than the landscape, which is confined to essentials and indicated with lines of uniform thickness and light shading. The Sui ad reunified China, and the following Tang dynasty ad reorganized the empire and gave a fresh impetus to the arts. The desire to create new rules of conduct after a long period of disorder and fragmentation was reflected in the arts, with a codification of standards and techniques.


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    This period saw the birth of landscape painting, due principally to developments in the use of colour. Li Sixun ad and Li Zhaodao ad brought life to a decorative style associated with the court environment. It was characterized by an increased emphasis on the linear element, but was also enriched by the use of bright colours - clearly the influence of the great wall-paintings of Buddhist temples.

    The predominant tones were cobalt blue and green produced from copper , with light touches of gold. Court painting was also the province of Yan Liben ad , to whom The Scroll of the Thirteen Emperors is attributed. His imposing figures represent the image of the sovereign according to Confucian convention. In the eighth century, the poet and painter Wang Wei ad initiated a new style of landscape painting. He introduced the ink-splash technique, using black Indian ink.

    The style relied less on the importance of the line and more on the gradations of the monochrome ink, representing the infinite variations of landscape. This allusive, poetic style of painting, impressionistic in effect and defined as "poetry without words", was particularly appreciated by intellectuals in later periods.

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    Painting in the Far East – Laurence Binyon (1908) (1st ed)

    Through suggestion rather than description, it could create a magical atmosphere that expressed the contemplative spirit of the scholar. The work of the artist Wu Daozi ad , a contemporary of Wang Wei, was highly acclaimed by generations of critics. He produced handscroll paintings and wall-paintings for temples and palaces. His powerful, expressive line and almost calligraphic brushstroke evoked the admiration of his contemporaries, feeding the legend that he was capable of infusing his figures with life. During the period of the Five Dynasties ad , landscape painting reached a new peak.

    Jing Hao c. This exhorted the painter to pursue absolute truth, not in the sense of outer appearances but in correspondence with the principles of nature.

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    Through the humble observation of natural forms, the artist could discover their eternal and essential characteristics; by concentrating on these, he would be able to formulate the language to translate it into a powerful, visual experience of the universe. A tendency towards realism derived from this process of contemplation is evident in the work of the painters of the Song dynasty ad This was partly stimulated by neo-Confucianism, which spread with the arrival of the dynasty and nurtured faith in man's ability to understand the world by means of attentive and thorough observation of natural phenomena.